The Transformation of Music Radio and Composition Essay

Try to picture this: Your country has just fallen into the worst economic slump in history. The company you work for has just gone out of business. You lose your job. What will you do? How will you survive? All these questions were surely asked by Edgar Harburg. Like many others during the Great Depression of the 1930s, Edgar Harburg turned to music; he joined Jay Gorney and together they collaborated on songs for Broadway pieces (Edmund and Goldstein 107). Not unsurprisingly, he preferred his new career (Edmund and Goldstein 107). Moments such as those have fortified the ties of music and reality throughout time. Nevertheless, music has been a definite part of culture since the earliest ages. It has also been altered on several occasions†¦show more content†¦Look at all of the formats.’ But within each format, you have diversity kept at bay on the other side of the door. And this move seeks to place each of us in a very narrow preserve where we don’t have to l isten to other kinds of music and therefore don’t get exposed to other kinds of music. (qtd. in DiMeo) Although Susan Douglas is speaking about modern times the idea is applicable to 1930s. While today we are presented with hundreds of ways to access music, before the 1930s there were fewer than ten. So, with the arrival of radio, people were bound to hear fewer lesser known artists. To some it seems trivial to complain about people not hearing a variety of music. However, Cliff Doerksen, a classical music fanatic that praised its ability to bring peace, would disagree given the fact that classical music is only one of many genres (DiMeo). With the introduction of radio the number of people exposed to unpopular music declined; popular music took a substantial leap and dominated over others. Unless a song appealed to the masses it was unlikely that it would be aired. Despite such setbacks, lesser known musicians still effectively got their messages through in their songs. Conversely, music actually had an increased assortment in one aspect. In the 1920s racial problems were extensive a nd poured into the music industry as well (DiMeo). Imaginary walls were built to isolated minority groups from whites. Yet with the rise of radio these boundaries were slowlyShow MoreRelatedFranco and TPOK Jazz Essay1241 Words   |  5 Pagesthe 80s OK Jazz stretched out in long complex jams (sebenes) of percussion, guitars, and horns, which build in tempo and rhythm, sounding a bit like an Afro-Latin Grateful Dead. Franco was popular across Africa. Living in 1980s Cameroon, Franco’s music was ubiquitous; Mario and other hits are burned in my brain. His band was one of the few to break the barriers of national styles and was popular in Anglophone and Francophone countries alike. 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